Jazz Performance Director John D’earth discusses his musical career, life in Charlottesville and what jazz has to teach America.
Charlottesville’s murals illustrate a city wrestling with its identity. Charlottesville’s most popular mural could not be more straightforward: “I LOVE CHARLOTTESVILLE A LOT,” reads the wall of Fitzgerald’s Tires in Belmont. The jauntily spaced red and black letters are a pilgrimage site for residents and students alike, a focal point in a town that loves art and loves itself.
How an outdated science manifested into racism and discrimination the University still contends with. As the University of Virginia marks its Bicentennial, the laying of its cornerstone will be celebrated by old and new Hoos alike. The University’s history is long and rich, as is with any any premier institution of learning almost as old as the United States itself.
How small venues shape Charlottesville’s music underground. A stand-alone, single-car garage facing a grassy hill. A wide-porched, tree-obscured house on the corner of a neighborhood street. A red brick, neoclassical building in the heart of the Downtown Mall.
The legacy of Thomas Jefferson statues on Grounds. In light of Thomas Jefferson’s lifelong involvement in and advocacy for the institution of slavery, it can be hard to square his words about freedom and inalienable rights with his actions. Given the role of both Jefferson and enslaved laborers in the birth of the University, the question of his legacy has been a fixture of the discourse at U.Va.